You should only have to set these up once. You can adjust horizontal and vertical offsets, and these values are remembered across Sibelius sessions. Download PedalLines.zip (6K, downloaded 26053 times)Īdds a line (such as a gliss line)between 2 selected notes (skipping rests).I recommend not having the plugin delete MIDI messages if you see warnings, so you can do better manual adjustments. This lets the plugin do more with scores where the MIDI message are not properly matched, but if you see messages, check the output VERY carefully, because some pedal lines will surely be the wrong position or the wrong length. Updated 18 October 2011 to ignore (with warnings) unmatched OFF messages and to create short lines for any unmatched ON messages. Updated 2 October 2011 to fix error message that said "false" instead of "0". You can choose pedal line styles for different controllers. It will convert pairs of ~C64 (sustain pedal), ~C66 (sostenuto pedal) or ~C67 (soft pedal) messages, and will optionally delete the messages. Reads MIDI pedal control messages and converts them to pedal lines. ![]() Just head to Yellowtools and have a look! We really like Independence and can recommend it very much.For use with Sibelius 5, Sibelius 6, Sibelius 7.1, Sibelius 7.5, Sibelius 8.x, Sibelius 18.x, Sibelius 19.x, Sibelius 20.x, Sibelius 21.x and Sibelius 22.x There is a free version available of the sampler, aptly titled Independence Free, so you can check it out without risk. All these three special libraries are contained in Independence Pro! The Saxes are simply outstanding, as are the other libraries. Yellowtools have three special products using the Independence Engine: Culture, Majestic and Candy, featuring World Percussion, Basses and Saxophones, respectively. The keyboards leave quite a bit to desire, but the rest makes up for it. Particularly enjoyable are the guitars and drum kits. You get a selection of the Kirk Hunter Symphonic Orchestra (just like Kontakt uses a cut-down version of the VSL) and tons of other instruments. The great thing about Independence is it’s factory library, which weighs in at a hefty 70 GB. You can create zones to map your samples, edit instruments and many more things. The sampler itself is both fairly powerful and fairly standard. The sample player with integrated library has a similar scope as Kontakt or Halion, but with a few nice touches. Independence Pro is largely unknown among musicians. Maybe it could become the next secret weapon in your arsenal. We found this sampler pretty versatile and easy to use with a great factory library, so we’ll give you a short introduction to it. One of these is Independence Pro by a small German company called YellowTools. There is a large number of great software titles out there which seemingly noone has ever heard of. Tags: cinesamples, deep percussion beds, sample library, review I can only recommend this library and hope there will be a sequel. It provides a firm base and saves countless hours of programming when in a hurry, but still is flexible enough as to not make us all sound the same. Even with extreme tempos, the audio quality remains stunning.Ī preview patch which has the full mix versions of all 50 loops ready for auditioning makes finding the right bed very easy and convenient.Īll in all, Deep Percussion Beds is the first percussion loop library I have used that I feel does not hinder creativity. The library automatically adjusts the loops. The second great thing is the time stretching engine: All loops can be used with almost any tempo, fast or slow. The three variations per bed add to the individual touch. This makes the library far more flexible than most of the competition. That means you can only have, say, the toms, but not the metal stem. There are two incredibly great things about the library: The different parts of a loop are mapped as stems on different keys. Every bed has three variations gradually building tension as well as a code. The 9GB library features 50 different looped beds in various meters. This has changed with Cinesamples’ Deep Percussion Beds. Up to now what was missing was a library with fairly unobtrusive background tracks that nevertheless sit well in the mix and provide a good foundation for all the different things the composer wants to throw on top. Most of the loop libraries on the market focus on high-energy action percussion. I try to stay clear of these whenever possible, but it isn’t always. Especially when on a tight deadline, sometimes there is no other choice than to use premade loops. ![]() Unfortunately it also is one of the most time consuming ones. Creating percussion tracks is one of the most interesting tasks in media music.
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